Alex has just moved to Rome, and is preoccupied. His temporary PR job and overbearing boss force him to adjust, quickly, to his new city’s customs. But more than the work, it’s love that unsettles him, a past relationship that comes back to haunt him. With his old flame Emily coming to visit, Alex broodsContinue reading “Book Review: THE LOVE FOOL”
Category Archives: Criticism
The Ambling Ambition of Magnolia
As moviegoers, and more broadly as people, we tend to think of the word “ambition” in a positive vein. To say a movie has ambition is to say it has purpose; to say it has moxie is to say it breaks some new ground. On the flip side there are those seen as too ambitious, directors whoContinue reading “The Ambling Ambition of Magnolia”
John Mayer and The Nothing Search
Let’s talk about John Mayer’s voice. You know the one—those goopy dulcet tones on “Your Body is a Wonderland”, soft and sweet as taffy including all the leftover stickiness that makes you feel like you better go brush your teeth afterward. Mayer is inseparable from his voice, which might seem like an obvious point toContinue reading “John Mayer and The Nothing Search”
The Hero’s Dilemma
When an actor like Sam Elliott lands a leading role these days, the central if regrettable question that always arises is whether he can “carry” the film. Would Elliott deliver the kind of raw, breakout performance that nets him an Oscar nom? Would this be his long-awaited chance to transcend the worn-out Cowboy of hisContinue reading “The Hero’s Dilemma”
Wintry Discontent: The Revenant
Alejandro G. IIñárritu may have done well just getting out of the house. Whereas his last film (Birdman) fixes on the stuffy indoor mania of Broadway stage production, this time he spins the camera outward, to the vast and austere winter, where its unyielding brutality takes hold. The Revenant follows the improbable survival of Hugh Glass, portrayedContinue reading “Wintry Discontent: The Revenant”
The Case for Nassau Tweezer amid the Perils of First Show Overload
When carved out from Phish’s wider on-stage catalog, the Tweezer pantheon alone could merit a dissertation of comparative analysis. On top we have the near-consensus GOAT, the Tahoe Tweezer soaring high above the firmament to inspire everything from Ric Flair “woo” memes to painstakingly elegant grand piano compositions. Then there are the standard bearers like 12/2/95 and 12/6/97,Continue reading “The Case for Nassau Tweezer amid the Perils of First Show Overload”